Solo Exhibitions and Installations Kimmel Harding Nelson Center for the Arts, 2012
Museum of Nebraska Art, Kearney, Nebraska, 2010
San Luis Obispo Art Center, San Luis Obispo, California, 2007
La MaMa ETC La Galleria, New York, New York, 2005
Robert Hillestad Textiles Gallery, University of Nebraska Lincoln, Nebraska 2004
Interstate Firehouse Cultural Center, Portland, Oregon, 2004
Elmhurst Art Museum, Elmhurst, Illinois, 2002
Linfield College, McMinnville, Oregon, 2002
University of Minnesota, St Paul, Minnesota, 2000
Ohio State University, Mansfield, Ohio, 2000
Sierra Arts Center, Reno, Nevada, 2000
Alliance for the Arts, Fort Meyers, Florida, 2000
Ventura College, Ventura, California, 1999
Marylhurst University, The Art Gym, Portland, Oregon, 1999
University of the Pacific Art Center, Stockton, California, 1999
King County Arts Commission Gallery, Seattle, Washington, 1998
Fort Lewis College Art Gallery, Durango, Colorado 1997
International Gallery of Contemporary Art, Minneapolis, Minnesota, 1997
University of Puget Sound, Tacoma, Washington, 1996
1004 Gallery, Port Townsend, Washington, 1996
Pima Community College, Center for the Arts, Tucson, Arizona, 1995
International Gallery of Contemporary Art, Anchorage, Alaska, 1995
University Art Museum, University of California, Santa Barbara, 1992
Visual Arts Center, Anchorage, Alaska, 1989
University of Alaska Art Gallery, Fairbanks, Alaska, 1989
Selected Group Exhibitions Yeiser Art Center, Paducah, Kentucky Fantastic Fibers, 2011 (Second Place Award) (Freda Fairchild, Caryl Bryer Fallert and Judy Schwender, Jurors)
Haydon Art Center, Lincoln, Nebraska, Stitch, 2010 (Jennifer Graham and Tina Koeppe, Curators)
Eisentrager • Howard Gallery, University of Nebraska Lincoln, Faculty Exhibition, 2010Art Saint Louis, St. Louis, Missouri, Fiber Focus 2009, (Alice Zrebiec, Curator)
Museum of Nebraska Art, Academia Invitational, Kearney, Nebraska, 2009 (Teliza Rodriguez, Curator)
Haydon Art Center, Lincoln, Nebraska, Woman, 2008 (Debra Johnson, Curator)
Haydon Art Center, Lincoln, Nebraska, Drawing the Line, 2008 (Karen Kunc, Curator).
Lux Art Center, Fruits of Their Labor, 2008 (Carlos Guerrero, Curator)Kentucky Museum of Art & Craft, Louisville, Kentucky, LifeInsight, 2006 (Gail Brown, Curator)
Fuller Craft Museum, Brockton, Massachusetts, The Edges of Grace: Provocative, Uncommon Craft, 2006 (Gail Brown, Curator)
Museum of Nebraska Art, Kearney, Nebraska, Hanging By A Thread, 2006 (Teliza Rodriguez, Curator)
Wesleyan University, Lincoln, Nebraska, The Art of Fine Craft, 2005 (Anne Pagels, Curator)
Haydon Art Center, Lincoln, Nebraska, Raw Materials, 2004 (Karen Kunc, Curator)
Woman Made Gallery, Chicago, Illinois, Women, Trauma and Visual Expression, 2003 (Amy Stacey Curtis, Juror)
Eisentrager • Howard Gallery, University of Nebraska Lincoln, Inside the Box, 2003
Woman Made Gallery, Chicago, Illinois, Photo Based, 2002 (Barbara Crane, Juror)
Cascade Aids Project, Portland, Oregon, Art For Life, 2002 (Thomas Bruner, Curator)
Beyondwriting.com, AutoMemoirs, 2002 (Elayne Zaylis, Juror)
Marylhurst University, The Art Gym, Portland, Oregon, Grace, 2001 (Sarah Ellen Taylor, Curator)
Holter Museum of Art, Helena, Montana, ANA 29, 2000 (Lucy Lippard, Juror)
Viridian Artists Inc, New York, New York, Eleventh National Juried Exhibition, 2000 (Charlotta Kotik, Curator, Brooklyn Museum of Art, Juror)
Froelick Adelhart Gallery, Portland, Oregon, intervals, frames and accelerations, 2000 (Sarah Ellen Taylor, Curator)
The Hunger Artist Gallery, Albuquerque, New Mexico, What the Eye Can Touch, 2000
(First Prize award) (Roberta Gossman, Juror)
Paris Gibson Square Museum of Art, Great Falls, Montana, Art Equinox 1999, ARegional Survey of Contemporary Art (Juror’s Choice Award) (Greg Bell,Associate Curator, Tacoma Art Museum, and Willem Volkersz, Jurors)
The Society of Arts and Crafts, Boston, Massachusetts, Social Fiber:
Unraveling the Messages, 1999 (Gail Brown, Curator)
Mark Woolley Gallery, Portland, Oregon, The Eternal Screen, 1999
(Mark Woolley, Curator)
University of Nebraska Lincoln, Robert Hillestad Textiles Gallery, Material Explorations,1999 (Wendy Weiss, Curator)
Sheldon Memorial Art Gallery, University of Nebraska Lincoln, Studio FacultyBiennial, 1999 (Dan Seidell, Curator)
Gallery 9, Lincoln, Nebraska, 1999 Juried Competition (Judith Cherry, Juror)
California State Polytechnic University, Pomona, California, The Fragmented Body:Violence or Identity? 1998 (Patrick Merrill and Debra Winters, Curators)
Cornish College of the Arts, Seattle, Washington, Crossing the Boundary, 1998
(Susan Olds, Curator)
Newport Visual Arts Center, Newport, Oregon, Human Form, 1998
(Henry Sayre, Juror)
Northern Illinois University Museum, Chicago, Illinois, Substance: A CorporealExamination, 1998 (Julie Anne Charmelo, Curator)
Artist Trust and A Woman's Gallery, In Celebration of Women: Artist Trust
Award Retrospective, Seattle, Washington, 1998 (Artist Trust and Janet Laurel,Curators)
The Luggage Store Gallery, 509 Cultural Center, San Francisco, California,
6th Annual Juried Luggage Show: Psychic, Spiritual, Physical and/or EmotionalBaggage, 1998 (Eungie Joo, Laurie Lazar, Fred Wilson and Enrique Chagoya, Jurors)
The Space, Minneapolis, Minnesota, Erotica, 1997
Bellevue Art Museum, Bellevue, Washington, Pacific Northwest Annual, 1996
(Michael Crane, Juror)
Kirkland Arts Center, Kirkland, Washington, The Flexible Line, 1996
(Rachel Brumer and Cherry Partee, Curators)
Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, Bags and
Baggage, 1996
Downey Museum, Downey, California, Fiber Now, 1996 (Scott Ward, Curator)
Textile Arts Centre, Chicago, Illinois, TEXTile, 1996 (Gina Alicea, Curator)
Foothills Art Center, North American Sculpture Exhibition, Golden, Colorado,1995 (Peter Shelton, Juror)
Paper/Fiber XVIII, Iowa City, Iowa, 1995 (Marna Goldstein Brauner, Juror)
Alaska State Museum, Juneau, Alaska, Kenai Arts Center, Kenai, Alaska, and
the International Gallery of Contemporary Art, Anchorage, Alaska,
Gray Matter, 1995 (Ken Gray, Curator)
Paper/Fiber XVII, Iowa City, Iowa, 1994 (Karen Stahleker, Juror)
1004 Gallery, Port Townsend, Washington, 1994 Invitational
Florida State University and the University of Alaska, Anchorage, Alaska,
The Future of the Book of the Future, 1994 (Sean Licka, Curator)
Bellevue Art Museum, Bellevue, Washington, Pacific Northwest Annual, 1993
(Buzz Spector, Juror)
Tacoma Art Museum, Tacoma, Washington, About Face, 1993 (Galen Hansen, Juror)
Boise State University, Boise, Idaho, National Small Painting and Small SculptureExhibition, 1993
University of Alaska, Anchorage, Alaska, Victims, 1993
International Gallery of Contemporary Art, Anchorage, Alaska, New Space/New Work,1993 (Jeffrey Patrick, Curator)
University of California, Santa Barbara, College of Creative Studies, The Bookas Portable Sculpture III, 1992Selected Group Exhibitions, continued
University of Hawaii at Manoa Art Gallery, Honolulu, Hawaii, The Fourth InternationalShoebox Sculpture Exhibition, 1991
Visual Arts Center, Anchorage, Alaska, Women at Work, 1989 (Karen Stahleker,Curator)
University of Alaska, Anchorage, Alaska, No Big Heads, 1989
Visual Arts Center, Anchorage, Alaska, Sky Art, 1989
Anchorage Museum of History and Art, Anchorage, Alaska, Public Space/Public Architecture,1988
Visual Arts Center, Anchorage, Alaska, Sky Art, 1988
University of Alaska, Anchorage, Alaska, No Big Heads, 1988
Visual Arts Center, Anchorage, Alaska, Choice, 1988 (David Felker, Juror)
University of Alaska, Anchorage, Alaska, Prisoners of Conscience, 1987
International Gallery of Contemporary Art, Anchorage, Alaska, Out of Order, 1987
Anchorage Museum of History and Art, All Alaska Juried Art Exhibition, 1986 Selected Performances and Collaborations La MaMa ETC, SKINS, multimedia theatrical production, written by Elizabeth Ingraham, directed by Kathryn Moller, original music composed and performed by Yukio Tsuji, 2005
Bowery Poetry Club, New York, New York, threads, 2005 (Bob Holman, Curator)
Fort Lewis College Theatre, Durango, Colorado, Skins (II), main stage theatrical production written by Elizabeth Ingraham, directed by Kathryn Moller, 2004
Fort Lewis College Theatre, Durango, Colorado, Skins, main stage theatrical production written by Elizabeth Ingraham, directed by Kathryn Moller and performed by the College ensemble theatre group, 1997
Filed Fragments, University of California, Santa Barbara, College of Creative Studies, installation and performance with Brenda Dodson, 1992
A Park for Raven's Dance, Anchorage, Alaska, American Institute of
Architects, Alaska chapter, artist-architect collaborative design charrette
with James Wines, SITE, 1988
Rites of Spring, Visual Arts Center, Anchorage, Alaska, performance with KenGray, Jan Nunn, Jeff Patrick, Linda Powell and Tom Stewart, 1987 Education University of California, Santa Barbara
MFA Sculpture 1992
University of Alaska, Anchorage, Alaska
Courses in Printmaking, Design and Sculpture 1985-1989
Harvard University Graduate School of Design
Career Discovery Program in Architecture, 1983
University of Denver
JD Law 1973
University of Colorado
BA Art History 1969
Wellesley College 1965-1968
Selected Honors and Awards
Yeiser Art Center, Paducah, Kentucky Fantastic Fibers, Second Place Award, 2011
Arts & Humanities Research Enhancement Grant, University of Nebraska Lincoln, Mapping Nebraska Phase 2, 2010
Hixson Lied Foundation, Creative Research Grant, Mapping Nebraska Phase 2, 2010
Research Council Grant, University of Nebraska Lincoln, Mapping Nebraska, 2008Annis Chaikin Sorensen Award for Distinguished Teaching in the Humanities
Institute of Teaching & Learning Initiative, University of Nebraska Lincoln, Teaching Fellow Award, Creativity 101, 2006
Grants in support of SKINS La MaMa ETC theatrical production, 2004 (jointly with Kathryn Moller, Director)
LaMaMa ETC
Fort Lewis College Foundation Grant
Levinson Foundation Grant
Gay & Lesbian Fund Grant
Ballantine Foundation Grant
City of Durango Grant
Durango Arts Center Grant
Fort Lewis College Theatre Department
Community Foundation Serving SW Colorado Grant
Thatcher Hoffman Smith Prize for Creativity, The Skins Series, 2003
Layman Trust Grant, The Skins Series: Fabrications, Translations and Transformations,2003
Hixson-Lied Grant, Digital Skins, 2003
University of Nebraska Lincoln, Research Council Grant, The Crack at the Bottomof the World, 2002
Nebraska Arts Council, Distinguished Achievement Award, 2001
UCARE Studio Research Assistance Grant, Sensing Antarctica, 2001 and 2002
Humanities Center Fellow, University of Nebraska Lincoln, 2001
University of Nebraska Lincoln, Research Council Grant, Sensing Antarctica, 2000
University of Nebraska Lincoln, Research Council Grant, The Bone Project, 2000
The Hunger Artist Gallery, Albuquerque, New Mexico, First Place Award, What theEye Can Touch, 2000
Paris Gibson Square Museum, Great Falls, Montana, Juror’s Choice Awardfor Sculpture, Art Equinox, 1999
Gallery 9, Lincoln, Nebraska, Juror’s Award of Merit, Biennial Juried Competition,1999
Villa Montalvo Residency, Visual Arts, 1998
Bertha MacMillan Biennial Fellowship, Visual Arts, 1998
King County Arts Commission, Exhibition Award, 1998
Artist Trust Gap Award, Visual Arts, 1997
Fort Lewis College Visiting Artist Print Project, 1997
Mulberry Press Poetry Contest, Honorable Mention, The Sea of Cortez, 1994
Boise State University, Boise, Idaho, National Small Painting and Small SculptureExhibition, Honorable Mention, 1993
University of California, Santa Barbara, Regents Prize, Visual Arts, 1992
Abrams Prize, Visual Arts, 1991 and 1992
University of California, Santa Barbara, Regents Special Fellowship
in Visual Arts and Graduate Teaching Fellowship, 1990-1992
University of California, Santa Barbara, Institute of Interdisciplinary
Humanities Fellowship, 1990
Visual Arts Center, Anchorage, Alaska, Center Artist, 1989-1990
University of Denver, Order of St. Ives and Law Journal, 1971-1973
Wellesley College, Pendleton Scholar and Wellesley College Scholar, 1965-1968
Teaching
University of Nebraska Lincoln, 1998-present
Associate Professor, Art and Art History and Graduate Chair
Courses: Visual Literacy (Interdisciplinary Art, Architecture, Interior Design and Textiles Foundation Design Program (designated a Program of Excellence, 2004) and Creativity 101 (General Education course in Creative Thinking for STEM and Business majors)
Annis Chaikin Sorensen Award for Distinguished Teaching in the Humanities, 2007
Initiative for Teaching & Learning Excellence, Teaching Fellow Award, Creativity 101, 2006
UCARE Undergraduate Research Assistant Awards, 2002-Present
Advanced Peer Review of Teaching Project, 2005-2009; "Speculative Drawing & Design/Creativity 101," Highlighted in Inquiry into the Classroom: A Practical Guide for the Scholarship of Teaching and Learning, by Paul Savory, Amy Goodburn, and Amy Burnett Nelson. Boston: Anker Publishing, 2007; Inquiry Portfolio at http://www.courseportfolio.com, 2006
Peer Review of Teaching Project, 2001, 2002
Fort Lewis College, Durango, Colorado, Visiting Artist, 2004; Seminar Leader and Lecturer, SKINS, Honors 220/420 (Cross Listed in Theatre and Women's Studies) Fall, 2004
Fort Lewis College, Durango, Colorado, Visiting Artist, (Lectures in Women's Studies, Creative Writing, Printmaking, Drawing, Dance and Theater), 1997
Coordinator, Visual Literacy Program, 1999-2000
University of California, Santa Barbara, 1990-1992
Beginning Sculpture and Beginning Drawing
Presentations, Workshops and Readings
OLLI Studio Tours IV, "Touching, Tracing and Translating," Lincoln, Nebraska, 2011
Textile Society of America 11th Biennial Symposium, From Plains Space to Cyber Space, Lincoln, Nebraska, "Mapping Textile Space: Stitched and Woven Terrains," 2010
Haydon Gallery, Lincoln, Nebraska, "Constructing a Sense of Place," 2010
University of Nebraska Lincoln, Digital Arts Initiative, "Technology and the Landscape," 2010
Nebraska Summer Research Program, University of Nebraska Lincoln, "Developing Creativity: Using Right-Brained Thinking to Compete and Excel in a Left-Brained World," 2010
Museum of Nebraska Art, Kearney, Nebraska, "Assembling a Creativity Toolkit," 2010
Museum of Nebraska Art, Kearney, Nebraska, "Flexible Thinking: Stitching as Inquiry," 2010Haydon Gallery, Lincoln, Nebraska, "Woman," 2008
Museum of Nebraska Art, Kearney, Nebraska, Hanging by a Thread, 2006
Bowery Poetry Club, New York, New York, threads, 2005
Fort Lewis College, Durango, Colorado, Useable Truth: Using Research in Creative Work, 2004
Fort Lewis College, Durango, Colorado, The Courage to Speak and the Compassion to Hear, 2004
University of Nebraska Lincoln, Robert Hillestad Textiles Gallery, Information, Memory and Desire, 2004
University of Oklahoma, Conversations on Creativity, 2003
Elmhurst Art Museum, Elmhurst, Illinois, From Duty to Desire: the Skins Series, 2002
Linfield College, McMinnville, Oregon, The Artist as Investigator, 2002
Penn State University, State College, Pennsylvania, Material Thinking, 2001
University of Minnesota, St Paul, Minnesota, Assumptions, 2000
International Conference of Fine Arts Deans, Global Arts 2000, Auckland, New Zealand, Visual Literacy, 1999
Marylhurst University, Portland, Oregon, Accommodations, 1999
San Jose State University, San Jose, California, The Bone Project, 1998
Fort Lewis College, Durango, Colorado, Visiting Artist, 1997
(Lectures in Women's Studies, Creative Writing, Printmaking, Drawing,
Dance and Theater )
Cornish College of the Arts, Seattle, Washington, A Woman Looking for
a Woman, 1996
North Seattle Community College, Seattle, Washington, Northwest ContemporaryWomen Artists, 1996
University of Puget Sound, Tacoma, Washington, Second Skins, 1996
Contemporary Quilt Association, Seattle, Washington, Social Fabric, 1996
1004 Gallery, Port Townsend, Washington, Body Memories, 1996
Pima Community College, Tucson, Arizona, and Tucson Visiting Artist
Consortium, Desire and Other Fabrications, 1995
Fremont Fine Arts Foundry, Seattle, Washington, Needlepointing a Woman
from the Inside Out, 1995
The Women's Center, Port Townsend, Washington, Domesticity and Other Subversions,1995
International Gallery, Anchorage, Alaska, A Woman Out of Time, 1995
Flight of the Mind, Poetry Program, Eugene, Oregon, Danger, 1995
The Center for Integration, Port Townsend, Washington, The Courage to Create,lecture series, 1994
Flight of the Mind, Poetry Program, Eugene, Oregon, A Woman in the Shape of aPotato, 1994
Western Washington University, Fairhaven College, Bellingham, Washington, Speech,Self and Social Action, 1993
University of California, Santa Barbara Women's Center, From the Edge to theCenter, lecture series, 1991-1992
University of California, Santa Barbara, Interdisciplinary Humanities Center,
We Work in the Dark: the Artist as Investigator, 1990
Visual Arts Center, The Time Museum, 1989
Other Professional Experience
Fremont Fine Arts Foundry and Gallery 154, Seattle, Washington, 1995-1996
Executive Director
Fremont Art Walk, Seattle, Washington, 1995-1996
Organizer and Executive Committee Member
Ann Hamilton, Santa Barbara, California, 1990-1991
Studio Assistant
Visual Arts Center, Anchorage, Alaska, 1989-1990
Board Member
Artists' Representative to the Board of Directors
International Gallery of Contemporary Art, Anchorage, Alaska, 1989-1990
Board Member
Articles and Reviews "Nebraska Now: Elizabeth Ingraham, Fiber," Teliza V. Rodriguez, Curator, 2010
http://monet.unk.edu/mona/exhibit/316.html
Fuller Craft Museum, Brockton, Massachusetts, "The Edges of Grace: Provocative and Uncommon Craft," exhibition catalogue, essay by Gail Brown, Curator, 2006
Kentucky Museum of Art & Craft, "Life InSight: The Human Experience," exhibition catalogue, introduction by Brion Clinkingbeard, Curator; essay by Gail Brown, Guest Curator, 2006Providence Journal, Providence, Massachusetts, “Crafted to provoke: Hot-button issues explode at two exhibits,” Bill Van Siclen, March 23, 2006
The Standard Times, New Bedford, Massachusetts,” The Edges of Grace showcasesprovocative craft at Fuller museum,” David B. Boyce, March 16, 2006
The Courier Journal, Louisville, Kentucky, “Artists Delve into Human Experience,” DianeHellenman, July 2, 2006
Arts Across Kentucky, “Life Insight: The Human Experience,” GailBrown as told to Nancy Bronner, Fall, 2006
Daily Nebraskan, “Exhibit lets students glimpse professors’ outside-of-class art,” Astrid Munn, January 23, 2006
Offoffonline.com, “Beauty is Skin Deep,” Adrienne Cea, March 6, 2005 (Pick of the Week)
Coloradoan, “Texture and Poetry in Motion,” Leanne Goebel, December, 2004
Durango Herald, “Hybrid Art,” Judith Reynolds, November 9, 2004
Independent, “New York asks student to show their Skins,” Sarah B. Fletcher, Fort Lewis College, Durango, Colorado, November 5, 2004
Colorado Arts Perspective, “New York Digs SKINS out of the Desert,” Leanne Goebel, Summer 2004News Register, McMinnville, Oregon, "Deeper than skin," Paul Daquilantes, February 28, 2002
Artweek, "’intervals, frames and accelerations’ at Froelick Adelhart Gallery," Lois Allan, September, 2000
Albuquerque Journal, "Fiber arts exhibition features solid craftsmanship," Wesley Pulkka, July 30, 2000
Willamette Weekly, "Snowglobe Invitational: intervals, frames and accelerations," Lisa Lambert, June 28, 2000
Portland Mercury, "Intervals, Frames, and Accelerations at Froelick Adelhart Gallery," Karrin Ellertson, June 8, 2000
The Oregonian, "First Thursday: Critic’s picks," June 1, 2000
Fiber Arts, "Social Fiber: Inventive Beyond Expectations," Patricia Harris and David Lyon, January/February 2000
LA Times, "Critic’s Confession," Josef Woodard, January 2, 2000
LA Times, "Shell Game: Hollow female sculptures inspire strong reaction in Ventura show," Josef Woodard, December 5, 1999
Art New England, "Society of Arts and Crafts/Boston, Social Fiber: Unraveling the Messages," Marty Carlock, October/November, 1999
Boston Globe, "’Social Fiber’ offers tactile messages," Christine Temin, July 21, 1999
Boston Herald, "Exhibit captures fabric of life," Joanne Silver, July 16, 1999
Oregonian, Portland, Oregon, "Fitting room, please," D. K. Row, February 5, 1999
Oregonian, Portland, Oregon, "Hair-raising stuff," D. K. Row, January 8, 1999
Scarlet, University of Nebraska Lincoln, "UNL Studio Faculty Biennial Exhibition," January 16, 1999
Press-Enterprise, Pomona, California, "Bodies of expression," Devorah L. Knaff, November 15, 1998
Orange County Register, California, "Artists seek wholeness in divided lives," Daniella Walsh, November 15, 1998
Poly Post, Pomona, California, "Fragmented Bodies Unite for University Art Exhibit," Rudy Garcia, November 3, 1998
News Times, Newport, Oregon, "Human Form exhibition opens today at VAC," and "Exhibit juror discusses selection procedure," June 5, 1998
Seattle Times, "Skins Takes a Look at the Art Surrounding Us," Joe Heim, April 23, 1998
Chicago Sun Times, "Substance: A Corporeal Examination," Margaret Hawkins, February 6, 1998
Durango Herald, Durango, Colorado, "Skins Opens FLC Theater Season," Charlie Langdon, October 16, 1997
San Juan Mountain Register, Silverton, Colorado, "The Devil is in the Details," Gilbert Brown, October 11, 1997
Fort Lewis College Independent, Durango, Colorado "Let Your Fingers Do the Walking," Trinity Sipma, October 3, 1997
New Art Examiner, "TEXT-ile," April, 1996 and September, 1996
Port Townsend Jefferson County Leader, Port Townsend, Washington, "In Search of Feminine Skin and Bone," Ann Katzenbach, March 6, 1996
FiberArts, "Paper/Fiber XVIII," Mark Towner, November/December, 1995
Tucson Weekly, "Triple Play," Margaret Regan, October 19, 1995
Seattle Times, "Time & Again," Ferdinand de Leon, October 15, 1995
Anchorage Daily News, "Southern Exposure: Ex-Anchorage artists have mixed emotions about their moves," Mike Dunham, March 24, 1995
Anchorage Daily News, "Ingraham show fascinates," Jan Ingram, March 24, 1995
Anchorage Daily News, "Gray Ghost," Mike Dunham, January 29, 1995
Port Townsend Jefferson County Leader, "Work from a growing art community at 1004," Ann Katzenbach, June 15, 1994
Port Townsend Jefferson County Leader, "Artistic lives blaze like comets," Ann Katzenbach, February 16, 1994
Seattle Post-Intelligencer, "Annual Bellevue Art Museum show reveals exceptional new voices," Regina Hackett, July 24, 1993
Reflex, "Not Necessarily About Face," May/June 1993
Reflex, "The National Small Painting and Small Sculpture Exhibit at Boise State University Art Gallery," May/June 1993
Tacoma Morning News Tribune, "About Face," Jean Muiser, April 18, 1993
Seattle Weekly, "The portrait gets a face-life," Laura Funkhouser, April 7, 1993
Anchorage Daily News, "Victims," Jan Ingram, February 28, 1993
Santa Barbara News-Press, "Scene," Joan Crowder, May 1, 1992
Anchorage Daily News, "Art Exhibit Devoted to Alaska Women," Nancy Jordan, August 13, 1989
Reflex, "Art At the End of the Pipeline," Ron Glowen, November/December, 1989
Artweek, "Abstract and Concrete Concerns," Ron Glowen, May 27, 1989
Anchorage Times, "Ingraham at VAC," May 21, 1989
Anchorage Daily News, "Sculptural installations invite viewer interaction," Jan Ingram, May 21, 1989
Catalogues and Monographs
Fuller Craft Museum, Brockton, Massachusetts, “The Edges of Grace: Provocative and Uncommon Craft,” exhibition catalogue, essay by Gail Brown, Curator, 2006.
Kentucky Museum of Art & Craft, Life InSight: The Human Experience, exhibition catalogue, introduction by Brion Clinkingbeard, Curator; essay by Gail Brown, Guest Curator, 2006
Paris Gibson Square Museum of Art, Great Falls, Montana, "1999 Art Equinox: A Regional Survey of Contemporary Art," exhibition catalogue; Juror’s Statements by Greg Bell and Willem Volkersz, 1999
California State Polytechnic University, Pomona, California, "Fragmented Bodies: Violence or Identity?" exhibition catalogue; essay by Patrick Merrill and Debra R. Winters, 1998
Northern Illinois University Museum, Chicago, Illinois, "Substance: A Corporeal Examination," monograph by Julie Anne Charmelo, 1998
Newport Visual Arts Center, "Human Form," exhibition catalogue; juror's statement by Henry Sayre, 1998
King Country Arts Commission Gallery, "Skins," monograph by Helen Lessick, 1998
Alaska State Museum, Kenai Fine Arts Center and the International Gallery of Contemporary Art, "Gray Matter," exhibition catalogue; essay by Thomas Harrison, 1995
Foothills Art Center, "North American Sculpture Exhibition 1995," exhibition catalogue, 1995
Florida State University and the University of Alaska, Anchorage, "The Future of the Book of the Future," exhibition catalogue, 1994
Boise State University, "National Small Painting and Small Sculpture Exhibition," exhibition catalogue, 1993
University of Hawaii at Manoa, Honolulu, Hawaii, "The Fourth International Shoebox Sculpture Exhibition," exhibition catalogue, 1991
Anchorage Museum of History and Art, Anchorage, Alaska, "All Alaska Juried Art Exhibition," exhibition catalogue, 1986
Collections
Portland Art Museum, Gilkey Print Center
Fort Lewis College, Durango, Colorado
Private Collections in Alaska, California, Colorado, Nebraska, Oregon and Washington Artist's Websites http://www.culturalterrain.com/index.html
http://mappingnebraska.posterous.com/
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